Now they are matching themselves up against the oldest and most calssical of materials.
With its accoustomed irony Carlo Aymonino has created a "living" bench, designing its uprights to have a griffin's form. And thus, there comes into being a direct dialogue between the object's function and the nature in which it is placed.
A fundamental relationship that can be discerned too, in the anthropometric curve formed by the classical travertine monoliths making up its seat.
Owing to Aymonino's brilliant conception, a common object has been raised up to being an original and refined solution for outside furnishings.
